Friday, August 04, 2006

NEWS


you can watch a video-interview with royksopp on their music at:

http://www.video-c.co.uk/artistfeatures/royksopp/epk.html



royksopp's 'what else is there' has been nominated in the German Dance Music Award ,which will take place in 02 September, 2006.
the remix version of the song was compiled by trentemøller.


Best Remix 2006
Royksopp ‘What Else is There’ (Trentemøller Remix)
Deep Dish ‘Say Hello’ (Paul van Dyk Remix)
Oliver Koletzki ‘Der Mückenschwarm’ (Dominik Eulberg Remix)
Theo Parrish ‘Falling Up’ (Carl Craig Remix)
Moby ‘Raining Again’ (Steve Angello Remix)
Bloc Party ‘Banquet’ (Boys Noize Remix)

INTERVIEW with royksopp.de


Interview with Svein of Röyksopp

Röyksopp.de: Let’s talk about the Understanding. It probably features about a hundred times more vocals then Melody A.M. did. How did you actually pick your fantastic vocalists like Kate Havnevik and Karen Dreijer?

Svein: They were chosen carefully. It was a quite time-consuming process to find vocalists because obviously, Torbjörn and I both sing on the album ourselves and for the first time ever we are doing that, but there are some things we cannot possibly do with our voices. So if we made a song and we felt it should have a woman, obviously it would be a bit strange if we were to try that. So we wanted to find vocalists who have certain strong identities, and also people that could relate to the music the same way we do, and also just to avoid any kind of legal issue and to stay clear of marketing meetings all the time, we tried to stay clear of huge, already well-known names. I had known about The Knife for a long time and really liked Karen’s voice and we wanted to do something with her and we also knew about Chelonis from a track that we had done on Get Physical Records from earlier, and Kate showed up just by accident. We met, no, we heard her voice at an afterparty in New York , and thought “That’s an interesting voice”, and when the guy who played it said “She’s from Norway ”, we got even more interested. So we found out who she was and made contact. Luckily for us, all these three people wanted to work with us.

Röyksopp.de: Did you guys write the lyrics or who did?

Svein: It’s a mix. Some of the lyrics we have written exclusively, and some with the artists. “49%” has been written by us and Chelonis. “What else is there” has been written by us and Karen Dreijer. All the other tracks have been written by us.

Röyksopp.de: Considering you wrote so many lyrics, why aren’t they in the CD cover?

Svein: Actually, they are on the regular CD and vinyl, just not in the limited edition. For this mess we can only blame the label or whoever made this mess up. The good thing about the limited edition though are the 5 extra tracks that are included.

Röyksopp.de: About the extra tracks…apparently in a last minute action, you decided to exchange “Boys” for “Sombre Detune”. Why did that happen?

Svein: It had been an intention for a very long time to have “Sombre Detune” on the album, that’s what we wanted all along. At some point in the album-making process though, we wanted to try out to have “Boys” as the second instrumental song to leave some breathing space after just having “Only This Moment” and “49%” as tracks number 2 and 3, which are quite filled with information and vocals. We wanted to have a “breathing state” on the fourth track and we thought that “Boys” could be better than “Sombre Detune”. We tried it out for a few days and at that specific period the record company really wanted to make the Promo. So the Promo became the versions with “Boys” as track number 4. If anyone the promo then that is something special obviously. But it has always been the intention to have “Sombre Detune”. It’s just a coincidence that “Boys” was on the promo.

Röyksopp.de: Did you pick “Only this Moment” as the first single or did your record company?

Svein: We wanted to have the first single to have vocals that were sung by us both me and Torbjörn and also Kate by the way which was the case for “Only this Moment”. We could have gone for one of the other songs where we both sing but this time around when it came to choosing singles because if you look back at when we released Melody A.M. we were very focused on the running order and which single to release first just to display the different type of Röyksopp we were firm on the fact that we wanted “So Easy” to be the first single. When it came to this album obviously we are now part of a bigger EMI family. There are more territories that need to be taken into consideration which made us pay more attention to the people around have said. We want to cooperate and not be difficult. The general feedback from record companies really wanted “Only this Moment” I do understand why they chose this it might have a bigger commercial pop appeal. And we don’t want to be too difficult so we said “Ok. Fine. At least it had the criteria that we were singing.

Röyksopp.de: From the many entries from the www.royksopp.de and www.royksopp.net – I don’t even really know if you read those websites every once in a while – it seems that fans would like to see “What else is there”, “Alpha Male” or “Someone like Me” as one of the next singles. Would you make those wishes come true or I have heard that you have “49 %” or “Circuit Breaker” as your favourites?

Svein: Obviously, we made all the tracks so we like them all. The tracks that people usually mention, you know the feedback we get from travelling around the world and talking to people, the track that people most of the time mention will be “What else is there”, “49 %”, “Follow my Ruin”, “Circuit Breaker” and “Beautiful Day without You”. These are the singles or candidates. “Alpha Male” might be a little bit too long and might be too complex to do as a single. It can’t be played as a radio single. It is very hard for us to adjust it to the radio because we see that it might destroy some of it. So there are a lot of things to take in consideration. I believe that it is very likely that “What else is there” is going to be a single and it is quite likely that “49 %” is going to be a single but perhaps different in different territories. As far as Germany goes, I believe “What else is there” will be the next single. Other candidates for a single would be “Beautiful Day without you” and “Follow my ruin”, but we’ll see…

Röyksopp.de: If you are going to release “49 %” do you think the original “Don’t give up” version will be a B-Side?

Svein: I have heard that people asked about that. It’s not very likely to have that, no. I think that people have picked up on “Don’t give up” as we made it some years ago. Maybe they have to sort of treasure it and hold on to what ever kind of pirated material that’s out there because it is not very likely to have that because now we made “49 %” and we are quite pleased with it.

Röyksopp.de: Speaking of tracks that fans will be having a hard time to get hold of there are a lot more tracks that you have produced over the years, I am sure, not only for the album but also in between like “A special time of the year”. Will they ever be released because you can’t find them as pirated material either?

Svein: Well, we hope to, it’s a tricky one because some people or fans find that having rare copies like remixes that we have done and so on they find that very precious. At some point we thought about releasing a double CD containing some of the remixes that we have done for other artists, you know the remixes that we have done for the likes of Beck and Coldplay, The Streets and so on. And also having that on one CD and on the other CD having unreleased Röyksopp material from the time even before Melody A.M. and stuff that we have made but has not been released yet. Stuff that we are happy with but we couldn’t really fit on the album because it didn’t work in the album context. This is an idea that we haven been playing with but then again by compiling all these remixes that we have done for other artists might ruin something for collectors. So we don’t want to upset the fans but perhaps you can in this web forum just ask people what they think, should we compile the remixes that we have done and released them or should we stay clear of it?

Röyksopp.de: I’ll gladly do so. Because personally I think a lot of people would like to see a remix album one day. Then again I think you need more material for your Greatest Hits Album in two years. But let’s talk about the remixes. Supposedly you could produce a remix for the Pet Shop Boys. Is that true and if so why didn’t they materialize it?

Svein: There are so many different sorts of channels that information comes through – we get quite a lot of information either by our management or either by our record company. And at some point during that line the information might be distorted or changed a bit. The story that we have heard at some point was that the Pet Shop Boys wanted us to produce tracks or an album for them some years ago. We have also heard the same thing with Britney Spears as well and all those kind of things. But we didn’t have the time for it although we like these artists but you never know when you are asked, what’s the real truth is, is it either the record company people talking or is it actually the artists her-/himself asking.

Röyksopp.de: What other remixes if there are any are currently in the pipeline? Is there anything going to be released soon?

Svein: At the moment, since there is such a strong quality control on our music we haven’t dared to accept any remixes because we are quite busy touring and also doing promotion and so on. We don’t want to release bad remixes. At the moment we haven’t said “Yes” to any remixes. The only remixes that we have done recently are two versions of “Only this Moment”.

Röyksopp.de: In terms of touring the only announced gig we have found in Germany is at the “SonneMondSterne” Festival in August. Are there any more concerts going to be planned with you because I think you are becoming more and more popular you are even in the Top 5 of the iTunes download charts in Germany?

Svein: Ok, I didn’t even know that. That’s a good thing. We are hoping to come for touring. The summer pretty much is the Festival period and since we have decided to release our album in the summer we do a lot of promotion which does not really allow us to do long tours in more territories. But when autumn comes there will be a lot more time and we should definitely come to Germany and I believe that’s the case as well.

Röyksopp.de: Who was the girl who has joined you for your recent performances in the UK ?

Svein: The girl that is joining us now is called Jessie.

Röyksopp.de: Is she from Norway , too?

Svein: No, she is from the UK . She is from Brighton , I think. But she lives in London .

Röyksopp.de: You are known as perfectionists when it comes to productions. Are you planning to maybe try a upper CD or DVD or Dolby Surround like Jean Michael Jarre did recently?

Svein: We are not as old as Jean Michael Jarre. So we may have to save those kind of things for when we are a bit older. It might be interesting to do so but then again at the moment we are just saving these things for when we get older.

Röyksopp.de: You work with a lot of Norwegian artists like Annie or Kate Havnevik or Erlend Øye and I think on the Beck remix with Christine of Ephemera. Is there anyone else you would really like to work with for something special like to come up with a strange idea maybe a Christmas Album with Ephemera?

Svein: In terms of Norwegian Artists? Well, it would be nice to see..well…who could we do something with? If we do a Christmas Album we should go for the less expected artists, well, perhaps Turbonegro. Or maybe a medley, A-Ha vs. Röyksopp.

Röyksopp.de: That would definitely be something very special. Three years ago you were the opening act from Moby. Today, Moby could probably be your opening act. Besides your money and your bank accounts what else has really changed for you the most?

Svein: Well, it sounds like a cliché – but we haven’t changed at all. But obviously people’s perceptions of us have changed. That’s one of our ambitions to strive for to just maintain as we have always been. And luckily that’s what friends and family keep telling us that we are still the same people. I don’t think much has changed really. We are still the same people as we always have been. We might not be running around doing so many stupid things as we did before because now people will know who you are. It’s not that we run around drunk urinating anyway. But apart from that we try to live our lives as we have always done. But we eat a lot more chocolate then.

Röyksopp.de: For some of the fans you don’t really seem to appreciate your evolution. Some seem to want their dreamy, their spherical Röyksopp guys back, not the what they call it ‘commercial electro pop artists’. I don’t think you’ll ever turn back to the evolution but can they have some hope for maybe less vocal based tracks in the future?

Svein: For those people we can say that we appreciate that and they have to take into consideration that what we did with The Understanding is something that is important for us – we don’t want to repeat ourselves. We did Melody A.M. and luckily for us people appreciated it. But it is hard for us to do Melody A.M. all over again. But then again instrumental music is where we come from. That’s what we have always been doing. Singing and having this more lyrical approach is quite new to us and we just wanted to try it out. That king of curiosity is a very natural thing in human beings – that’s what brings us forward in many ways. But having said that, it might not necessarily be the path we stay on. Instrumental music will always be a part of Röyksopp and I am quite positive that we keep on making instrumental music for as long as we make music. We just like to combine certain things where we feel to say with words and certain things we need to say with sounds.

Röyksopp.de: Do any of the songs on The Understanding have a very special meaning to you? I mean, I understand they are all like children to you, but is there any song that you are particularly fond of?

Svein: We are fond of all of them but there are different things that we are fond of in the different tracks in terms of the story that has been told in the tracks. We are just happy about every one.

Röyksopp.de: Will you ever shave yourself again?

Svein: Yes, most definitely. When we went into the studio, I don’t know a year ago or so, we went into the studio and did not take our shavers with us. When we exited the studio, there was this long beard and hair. This has been cut and trimmed a bit. There’s quite a bit remaining and I am quite positive that it will all disappear by the fall.

Röyksopp.de: Last question…Where in Bergen do you actually live if you still live there? Or are you travelling around the world so much you don’t really get home so much anymore?

Svein: I live in the very center of Bergen , just behind the theatre. Torbjörn lives on the other side of the town but then again the city center is quite small so he lives about a 15 minute walk away from me and he lives close to the train station – it doesn’t really have a name.

PHOTOS



BANNERS




Röyksopp's Night Out: Live Ep


Röyksopp's Night Out: Live Ep
1. What Else Is There
2. Only This Moment
3. Remind Me
4. Sparks
5. Poor Leno
6. Go Away
7. Alpha Male
8. Go With The Flow
9. Teppefall


- from the official site

Personal Review: i personally really like this live ep, i might say that this is the best album from royksopp. although reviews allege that their 'Melody A.M' has better songs, Torbjörn Brundtland and Svein Berge made an exquisite compilation, including a Queen of the Stone Age cover- 'Go With The Flow'.

Excellent! Cool-O'-Meter: 9/10


Wikipedia:
is the Norwegian electronica group Röyksopp's 3rd album. It contains live recordings from a concert in Norway, Rockefeller (Oslo) in November 2005. The EP was released on the 27th of January 2006, and should be on the international market by the end of February 2006. Röyksopp has stated that this EP was originally ment for the Japanese fans, the most enthusiastic Röyksopp-fans, according to the band members. All of the vocalists who contributed on Röyksopp's most recent album, The Understanding, except Karin Dreijer - replaced by the Norwegian artist Anneli Drecker - were present at the concert. The EP includes a cover version of the Queens of the Stone Age song "Go with the Flow".

Track listing

  1. "What Else Is There?" (3:19)
  2. "Only This Moment" (4:04)
  3. "Remind Me" (3:47)
  4. "Sparks" (5:09)
  5. "Poor Leno (Istanbul Forever Take)" (5:24)
  6. "Go Away" (5:35)
  7. "Alpha Male" (8:03)
  8. "Go With The Flow" (3:13)
  9. "Teppefall" (1:00)

Personnel

Released February 27, 2006
Recorded Rockefeller, Oslo, Norway 2005
Genre Pop
Length 39:34
Label Wall of Sound, EMI, Virgin, Labels, Astralwerks


Ben Marwood-(Drowned in Sound)- webzine:


Back when their debut album Melody A.M shifted half a million copies in the UK, Torbjorn Brundtland and Svein Berge were known chiefly for their chilled moments, the calm, soothing bleeps and haunting choral passages. By the time the second album The Understanding was rolled out mid-2005 things had changed, with Royksopp evolving from studio-based electronica into something with more power, more ambition. The songs packed more of a punch, Royksopp packed their bags to tour the world and Royksopp’s Night Out is the belated result.

An account of one night in Oslo at the climax of their World Tour, the Live EP sees the Norwegian duo tackle seven songs from their first two albums, plus an ambitious electro version of Queens of the Stone Age’s ‘Go With The Flow’. A head-pounding aural assault, Messieurs Brundtland and Berge all but abandon their soft beginnings in favour of tranced-up, pulsating dancefloor-fillers, adapting Melody A.M’s songs to fit this newer regime as they go. ‘Poor Leno’ is stripped of its one repeated vocal line to become a five minute, bass-heavy instrumental, whilst the Portishead moments of ‘Sparks’ are condensed into the first minute before giving way to thumping, industrial electro-funk. Here, guest vocalist Anneli Drecker excels in her part as satin-voiced songstress, standing-in elsewhere for The Knife’s Karin Dreijer, impersonating her child-like Scandinavian tones with precision.

For those expecting a trawl through ‘the hits’, there is little here to suggest that Royksopp’s Night Out was conceived with this in mind. 'Eple' and 'So Easy' are jettisoned, leaving just ‘Remind Me’, and even though the live version leans more towards the hook-laden radio edit than the album version, the vocals are transformed into metallic, vocodered messages live, leaving it more Ministry of Sound than CD:UK. The tracks from the second album remain largely untouched, unaltered, even more at home in the club environment than they were on record as fuzzy synths bond with bleeping effects and blend with guitar and bass, leaving a mix that is one part house, one part Air.

As the curtain falls and ‘Teppefall’ plays them from the stage, the jubilation can be sensed even if not physically replicated, and whilst Royksopp’s Night Out may never generate the euphoric atmosphere of the actual show, it serves adequately as a record of one summer early in the 21st Century, when two men from Norway went from chillout merchants to global mind-blowers.

Rating:

ALBUMS

BIOGRAPHY

Röyksopp (sometimes misspelt as 'Royksopp' or 'Røyksopp') are an electronic music duo based in Bergen, Norway composed of Torbjørn Brundtland and Svein Berge. The group formed officially in 1998 and released their debut album Melody A.M. in 2001. "Røyksopp" is the Norwegian name of a type of mushroom which emits a cloud of brown dust-like spores. The English term fuzz ball or puffball is used for this mushroom type.

Despite the fact that Brundtland and Berge were schoolmates in their hometown of Tromsø and experimented with electronic instruments in the early 90s, Röyksopp only appeared years later when they met again in Bergen. The city had a vital scene for underground electronic music at this time, and the band worked with other Norwegian musicians such as Frost, Kings of Convenience, Those Norwegians and Drum Island in what was called the Bergen Wave. Their first singles were released by local independent label Tellé, and their album Melody A.M. on British label Wall of Sound. It spawned singles like "Eple", "Poor Leno", "Remind Me" and "Sparks".

The popularity of the duo's album was boosted by several graphically experimental music videos. One of them, an infographic-styled video by French company H5 for the track "Remind Me", won the 2002 MTV Europe Music Award for best music video.

The song "Eple" was licensed by Apple Computer for use as the startup music to the company's Mac OS X Panther operating system, playing the first time a user booted a new Mac. Eple (pronounced Ep-le, rather than Ep-pull as thought by many) means "apple" in Norwegian. It was also used as the music for the title sequence for BBC World's Click Online (now Click).

Röyksopp's first single "So Easy" became popular in the UK after it was used in an T-Mobile advert.

The word Röyksopp, which literally means "(a) smoke mushroom", is the Norwegian name for the Lycoperdale genus in the fungus kingdom, a type of mushroom that will make a smoky cloud if touched. Norwegians pronounce the word as ['røykˌsop:] in IPA, which an English speaker can try to approximate with roik-sopp (not soap).

Their new album The Understanding was released on 12th July 2005, preceded by the single "Only This Moment" on 27th June, 2005. The video "Only This Moment" is closely based on the events of the Paris 1968 riots and elements of propaganda are found throughout the video clip. The album's second single, "49 Percent," was released on 26th September, 2005.

Torbjørn Brundtland and Svein Berge
Enlarge
Torbjørn Brundtland and Svein Berge

Röyksopp played an hour long set at Glastonbury 2005 on the Other Stage that mainly consisted of new material from their album The Understanding, but also covered classics such as "Poor Leno". At least 30 minutes of the set was covered by BBC Three's Glastonbury coverage, followed by Fatboy Slim's set.



-from wikipedia

royksopp-thecollector



this blog wants to collect all the information about the band , royksopp. it also wants to publish photos and pictures.

enjoy!

INTERVIEW with MUSIC ONE

A room in Frankfurt's in-location Mousonturm builds the stage for our Röyksopp interview. Right behind Svein and Torbjörn, a picture of a moose fighting with another one hangs on the wall. How ironic it is that Torbjörn got verbally slammed by a press release of PETA this summer after he jokingly told another interviewer that whenever he was angry as a child, he went out and killed some polar bears.

Now, Torbjörn is angry as an adult - angry at PETA. "Polar bears have never existed in Norway. And the joke was merely about the fact that people know so little about Norway. Obviously it's embarrassing for a huge organization like PETA to go out like that when it's an animal that's not existed in Norway for the last ten thousand years." / you can read the full interview here:
http://www.bbc.co.uk/totp/news/interviews/2005/07/01/20339.shtml/

Just like the polar bear situation hasn't changed over the last few years, neither have Röyksopp. "The biggest change is probably people's perception of us and our music. The things that people tend to remember is our performance at MTV's European Music Awards in 2002 and the album sales of Melody A.M., which were kind of significant for a duo that's from Norway." Kind of significant? 1 million copies is much more than that! But that's the attitude of these two Norwegian guys - sometime ironic, but usually very humble. "We might be able to afford huger quantities of snacks and chocolate than we could three years ago, but apart from that, not too much has changed." Svein says.

"Around us though, much has changed. The world is not the way it was when we released Melody A.M. So on a professional basis, we want to make something that's relevant and not too typical, or tried out, or expected. We want to stay clear of following the most obvious trends. But we have always paid attention to what's going on in music. It's a great inspiration for us. But we don't jump on a bandwagon." Torbjörn says.

So what are their new plans for after the tour? "The only thing we can say is that we've already started to compile a lot of new music and the goal now is to work more on that. It's been a big inspiration for us to release this album. It's not like we drained ourselves through the release of The Understanding, quite the opposite, actually. We have the Muses on our side right now, and we're taking advantage of that." Torbjörn thinks.

While they're on tour, they are looking forward to seeing lots of different places, always dressed in red shirts and black ties, just like Kraftwerk looked when they performed in the 80s. "It must be a coincidence that they dress like us. But it seems like they have always had a certain fascination with technology and Vorsprung, which we like." But the switch to the Kraftwerk style that the reason for Svein to cut his hair from really long to somewhat short? "Well, I do cut my hair every now and then." "But why?" asks Torbjörn. Svein replies, "I like to change with my environment, sometimes with really long and sometimes with really short hair."

What Svein and Torbjörn also like is to bring different guest to their stage. In Frankfurt, a very pregnant Anneli Drecker and Kristian Stockhaus performed with them, in Munich, Berlin and other cities the original singer of "Only This Moment" and "Circuit Breaker", will join them on stage. That means that their former bass player Ole isn't with them at the moment. So is he doing his own thing now, Torbjörn? "Yeah, I was actually just on the phone with him when I walked in here, and he said he was doing his own thing. He said, 'I'm definitely doing my thing, son."

And what about the song Nok E Nok, which hasn't been released but has been part of the track order at their gigs recently, a sign of what's to come? "Actually, it´s a song that we've written - well, rather made or thrown together, not made, and we like to play some music on tour that hasn't been released. We don't feel an urge to release it either. It feels good to have something that's only good when it's played live." Torbjörn says. Röyksopp feels the same way about the rocking live version of Sparks. "We feel that some songs work in a live environment, because you have to re-create them to bring them to stage. And it's a nice experience to go to a concert and hear a version that you don't know yet. So, we don't have any plans to release this version in the future."

So what else do they have ready for their next album already? "We actually have a huge amount of material. But we never think about an album. It's not until we have a lot of songs until we think about how to make it a good album." Torbjörn says. But there is no second part of the Poor Leno story on The Understanding. Why not? "We like open endings, and the audience to live the myth."

What else is there? is the new single of Röyksopp. A fan favourite, we asked the guys what their hopes for the single were. "Our one hope is, that people, radio and TV stations dare to play it. Technically, it fulfils the criteria for being a radio-friendly piece of music, because it has vocals, it has a chorus, and it has drums. I just think that the song will scare people, who are too conservative, away. And we hope it won't." is Torbjörn's opinion. Svein reiterates their traditional stand on making 'radio-friendly' music though: "We're not going to compromise the song. It is what it is. Germany of course is a strange country when it comes to choosing singles, because people don't buy singles here anymore, they buy tones for cellphones. Perhaps we should get into the ringtone business if we want commercial success over here."

If anyone's still going to buy the single though, one reason will be the remixes by Jacques Lu Cont, Trentemöller and others as well as the live version of Alpha Male. Röyksopp are more than pleased with the remixes. "I think it's a very good remix package that shows the whole spectrum of music.", Torbjörn says. "I especially like the Thin White Duke (Jacques Lu Cont) mix of the song", adds Svein. In terms of picking their remixers, the two have an easy concept: "Telepathy! If that doesn't work, we use our passion for music, listen to music of others and sometimes approach these people."

Another good reason for buying the single is the fascinating video, which fits the song perfectly. Did Röyksopp use the same video production company as for their previous video clips? "No, we like to try out new companies and producers. We've never used the same company again for videos. What else is there was actually produced by a Danish guy, but he has another to do with the other videos like Sparks, even though What else is there is sort of the Sparks of this album."

In terms of own remixes, fans shouldn't expect too much from Röyksopp in the near future, as they've been busy touring and have received many more requests than they can fulfil. We actually had requests from Britney Spears again, I think she's doing a remix album, but we had already committed to this tour and we didn't really feel like doing it. We enjoy doing remixes, and we'll see what pops up. Maybe some of the things that we're working on that won't make their way onto an album will be the basis of a remix for someone if the key is right and some other things fit. Sometimes, when you merge music, is the perfect marriage."

Speaking of marriage - how much were Röyksopp involved in the production of Norwegian singer Annie's new single Wedding? "We actually wrote it. We definitely had a laugh doing this. It's more the kind of music that Annie would play as a DJ rather than having on an album. It's something we did really fast and messy, and most of the sounds are from the Korg MS-20, almost every sound apart from some live bass and percussion. Just to have someone sing 'Will you marry me?' on top of this kind of dark, thriving beat, it's just outrageous." So will this song be part of a remix compilation or a DVD of some sort one day? "It's likely..." says Torbjörn, flashing a smile, but with a somewhat serious tone in his voice.